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Piero Pierucci, '94. Computer Music. 15'.
61 KB MIDI file format type 1. Audio
rendering may depend on your midi synth equipment. Decent results with
Soundblaster OPL3 FM chip. Originally composed using Korg 03R/W
If opposites cannot be separated, then it is possible to seek for regularity into chaos, or even remain attonoished from the casualty of beauty. Melodic lines of this composition are generated with the computer, using "brownian motion" theory. This to say that computer simulations of natural phenomena, in this case the small particle motion across a water surface, has been used to obtain raw material for this composition. After assembly, this composition likely stimulate the listener to an individual experience, since no known but plausible musical patterns are presented.
Piero Pierucci, '94. Computer Music. 16'
25 KB MIDI file format type 1. Audio
rendering may depend on your midi synth equipment. Decent results with
Soundblaster OPL3 FM chip. Originally composed using Korg 03R/W
I was there as a prisoner since a long time, and I couldn't stand no more. The warder was a giant, but he loved to whistle all time Mozart's melodies, and since I had an old CX5 with me, I started to compose a song with a 1/f note random distribution. He listened for a while, then told me: mmm...it has something to do with Mozart......
...I already took the flight...
P. Pierucci '94. Computer Music. 7'
320 KB 11025 Hz 8 bit WAV file format
it is only a 30 sec selection!
A trip trough the life evolution, from the embryo to the birth, until the maturity stage. The composition is based on mathematical simulations related to various natural and artificial phenomena including flat randomness, 1/f noise, brownian motion, genetic algorithms and so on. At each evolutionary stage is associated a different generation model, ordered by self-organization degree, thus reflecting the chaos-bitrth-maturity-death-chaos cycle.
Piero Pierucci '94. Ambient Music. 30'.
304 KB 11025 Hz 8 bit WAV file format
it is only a 27 sec selection!
Interaction among casual listeners in a cafe' and extraneous sound objects. This composition, prepared to be listened in a cafe', proposes a sound scenario that, after a musical-like introduction slowly changes towards very different sound stimulus, as the railway station or the city traffic. Most listeners self adapts to this trend, as revealed by the decrease in inter-personal communication.
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